India FM

After Fiza, Khalid Mohamed returns with another female-centric movie - Tehzeeb. If Fiza had Jaya Bachchan and Karsima Kapoor with Hrithik Roshan in company, Tehzeeb has Shabana Azmi and Urmila Matondkar as the main protagonists with Arjun Rampal, Diya Mirza and Rishi Kapoor (in sp. appearance) providing support. Urmila, who is going places these days with plum projects like Tehzeeb and Pinjar, plays the title role in this flick that also marks the return of A.R.Rahman to Hindi music industry after some very long time. Majority of lyrics are either by Javed Akhtar saab or traditional. A.R.Rahman - the name, as always, spells M-A-G-I-C. Kya Rahman ka jadoo fir se chalega? This is the question on everyone's lips. Do not wonder much. Just read on!!

Arjun Rampal, looking as dashing as ever dances his way through the streets and the commoners and you are dead sure that 'Ya, the magic begins !!'. "Wow" - you say when Shaan excellently croons 'Khoyee Khoyee Aankhen' . A very sweet sounding track elevated mainly due to its excellent choreography and cinematography. It is a sure-shot instant hit with the class and mass alike and you know why music by Rahman is always awaited with so much curiosity. Traditional lyrics adapted from Shad Azimabadi are another jewels on the crown and you wonder how Rahman has done this !!

'Meherbaan Meherbaan' follows soon and you are taken through the waves of ecstasy. As Javed Akhtar saab has promised, his lyrics are away from the normal dil-vil-pyaar-vyaar stuff and still invoke the great feeling of love. Urmila dons clothes which are a designer's delight whereas the imaginative choreography with the long sheets of clothes being thrown around create a spell-bounding affect. Ashaji renders superbly for this track that has Sukhwinder Singh turning the song around marvelously with his high pitched rendering of the title - 'Meherbaan'. A winner all the way !!

The numbers that soon follow one after the another are 'Na Shiqwa Hota', 'Mujhpe Toofan Uthaye' and 'Sabaq Aisa' and it seems as if suddenly there is a 'U' turn when you were driving at a speed of 80mph on a freeway. You listen to them once, then you listen to it again and then you give it a third chance! Why? Because the elders have told that 'Beta, Rahman's music grows on you' !! But then why doesn't it happen this one time again? Why you just don't want to leave everything and just play it on again? Why doesn't rest of the score create the same excitement as one expected when you were listening to 'Khoyee Khoyee' and 'Meherbaan'? Probably because this is what the film-makers had in mind when they were getting the music of 'Tehzeeb' - "Get 2-3 tracks which pull in the masses and compose rest of the tracks as per the theme of the movie by mainly focusing on the elite audience!"

 'Na Shiqwa Hota' by Sujata Bhattacharya (who also does 'Mujhpe Toofan Uthaye' and 'Sabaq Aisa') is a very old fashioned number that talks about 'You wouldn't have been complaining if you would have known my helplessness'. An average track that is certainly not going to create any ripples in the Hindi music industry. Don't know why, but a single line of the same track sung by Vijaya also appears for a few seconds !! 'Sabaq Aisa' is another slow moving number with the similar results. A number which very select audience may identify with due to some heavy duty lyrics by Javed saab. This is certainly not for the masses. 'Mujhpe Toofan' is a ghazal, which is again traditional and adapted from Dagh Dehlvi. Not a very great composition which sounds very un-Rehman-ish. 'I wanna be free' is a cry of liberation by Anupama and Mathangi and written by 'Blaaze'. A fast moving track, it doesn't really help in getting the 'once high' tempo of the album back, which was created, in the start.

Even the album company tries it's best to carry the album till the end by repeating the track 'Meherbaan Meherbaan' but by then the disappointment has already crept in. The once excited mood, which was at it's best due to the very sight of having a Rahman album on the stands is dampened due to some very average compositions that may not really be lapped up by the commoners. One may not really put his money on this album that succeeds to marginal extent just because of a couple of foot-tapping tracks.

2 out of 5

Source

Planet Bollywood

Tehzeeb is Khalid Mohamed´s second directorial project after the highly acclaimed Fiza, yet he is no stranger to Bollywood. A Longtime film critic and screenplay writer (besides Fiza he has written Zubeidaa and Mammo) Khalid has a knack for strong female oriented subjects. His latest Tehzeeb is no different. It´s a story of a mother (Shabana Azmi) and daughter (Urmila Matondkar, who is having a superb year) and their trials and tribulations. Considering the mother is a singer, music was important so Khalid roped in the best for the job, A R Rahman. Rahman has been working day and night on various international projects lately, but took a break to give Khalid a helping hand. The results are a mixed bag, which is quite unlikely from Rahman, but the audio is still worth a listen.

The album begins on a great note with Khoyee Khoyee Aankhein sung by the ever youthful Shaan. Numbers like these are tailor made for Shaan, and it´s not hard to see why. Give the song a listen and you´ll realize why he´s so in demand these days. A R Rahman´s instrument arrangement is interesting to say the least. While it´s a peppy pop tune at the core, the use of violins gives it an Arabic twist. Lyrics are traditional adapted from Shad Azimabadi, which makes the song all the more interesting. Taking lyrics from a bygone era and mixing them with music from the present MTV age would be an uphill task for most, but Rahman does it with style. The song will immediately have you floored.

Na Shiqwa Hota is a ghazal sung by Sujata Bhattacharya with lyrics by Javed Akhtar. Rahman´s composition is average. Actually it would have been flat out boring had he not managed to spice it up with the interesting percussion beat. If you strip away the percussion you would be left with a piano, some violins and the occasional flute, but that´s why we love A R Rahman, he takes even the most mundane and puts his signature twist on it making it all the more listenable. Sujata´s rendition is nice and easy on the ears, but does not leave an impression. Javed Akhtar produced some nice wording for the song which heightens the track´s appeal, but only to some extent. The song is repeated again on the flip side in a one line version sung by Vijaya. It´s over before you knew it began.

Meherbaan Meherbaan picks the pace up again. Sung by the unstoppable Asha Bhonsle and supported by Sukhwinder Singh this song has lyrics by Javed Akhtar. Rahman takes many different influences and blends them together for stupendous results. While Asha and Sukhwinder sing in a semi classical style, the composition is a mix of pop/dance and south indian percussion and flute. As usual Rahman does it with so much panache you can´t help but tap your feet. It´s no wonder this song is fast climbing the charts. Javed´s lyrics are very refreshing, which compliments the freshness of the track. Often poetic, the lyrics suit the song perfectly. Asha Bhonsle effortlessly gives another great rendition, adding yet another feather in her already full cap. Sukhwinder Singh adds commendable support, and as usual he does a good job. The song is again featured on the flip side.

What in the world went wrong with I Wanna Be Free? Well for one it´s another reminder that English lyrics don´t go down so well on a hindi soundtrack, but then again the lyrics by Blaaze are thankfully minimal. Yet they still manage to disappoint, that´s quite a feat. I understand Rahman´s urge to experiment, but really this sounds more like a drug induced trip rather than a ´song´. Skip it!

Mujhpe Toofan Uthaye is yet another ghazal sung by Sujata Bhattacharya. As far as ghazals go this one is pretty routine stuff. Rahman doesn´t even try to infuse the song with any life, unlike Na Shiqwa Hota. The composition is pretty routine even for Rahman. Sujata Bhattacharya gives another decent rendition, she rises a notch above the aforementioned ghazal, but still doesn´t manage to leave an impression. The song´s saving grace is the traditional lyrics by Momin Khan Momin. Poetic and heartbreaking they significantly uplift the mundane track. The song is worth the listen solely for the stunning lyrics.

Just when you begin doubting Rahman he springs a surprise with Sabaq Aisa sung by Sujata Bhattacharya. What is instantly likeable about this ghazal is the music. Rahman mixes electronic beats with a typical composition, and the results are definitely ear pleasing. It´s a perfect fusion of old and new music styles (more so than Na Shiqwa Hota). Sujata Bhattacharya singing has been okay thus far, but this ghazal requires her to stretch that vocal muscle a bit more and she gladly rises to the occasion. In yet another adaptation, lyrics are taken from Dagh Dehlvi. The bittersweet words are magnificent, it´s not hard to see why Dagh Dehlvi is revered as one of the world´s better poets. This one deserves a rewind.

It´s quite evident that Rahman has been spending a lot of time abroad and listening to different music. While Tehzeeb may pale in comparison to some of Rahman´s other work, it´s still a good buy. What makes this album stand out is the fusion taking place on all levels. There is fusion in the music, the ghazal´s get a modern day makeover (Na Shiqwa Hota and especially Sabaq Aisa). And there is also lyrical fusion, Javed Akhtar´s lyrics mixing and mingling with the prose of some of the great poets of the past. And it can especially be heard on Khoyee Khoyee. Like Zubeidaa, this is an album which will most likely grown on you once the film releases, but for now buy it for Khoyee Khoyee and Meherbaan, and learn to appreciate the ghazals later.

7.5 out of 10

Source